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DTSTART:20001029T020000
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DTSTART:20071104T020000
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BEGIN:VEVENT
UID:20260430T211654Z - 81880@am364a.odoo.com
DTSTART;TZID=America/Vancouver:20250406T160000
DTEND;TZID=America/Vancouver:20250406T180000
CREATED:20260430T211654Z
DESCRIPTION:<a href="https://www.nifss.ca/event/sing-sing-4-pm-27/register"
 >Sing Sing 4 pm</a>\nSing Sing April 6th 4pm Greg Kwedar United States of 
 America | 2023 | 105m | English Based on the real-life arts rehabilitation
  programme founded at Sing Sing Correctional Facility\, Greg Kwedar’s ne
 w film follows a troupe of incarcerated actors who work on a play as part 
 of a theatre workshop at the prison. Every six months\, the men gather in 
 a circle of chairs\, often looking to Divine G (Colman Domingo) to help de
 cide their next play. Domingo gives one of the most memorable and affectin
 g performances of his career\, bolstered by a cast made up almost entirely
  of formerly incarcerated actors and alumni of the Rehabilitation Through 
 the Arts programme. Their participation brings an authenticity to the grou
 p’s founding principle that human dignity must be a part of the justice 
 system. Directed with a dynamism that matches the charm\, mischief\, and c
 ompassion of the men themselves\, Sing Sing recognizes the value of a plac
 e we can gather in which to discuss\, debate\, and create\, wherever that 
 may be. It’s an ode to art as a process\, much the same as life\, throug
 h which we can strive to better understand ourselves and each other.
DTSTAMP:20260430T211654Z
LOCATION:Vancouver Island Conference Centre\, 80 Commercial Street\, Nanaim
 o BC V9R 5J8
SUMMARY:Sing Sing 4 pm
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.nifss.ca/event/sing-sing-
 4-pm-27/register">Sing Sing 4 pm</a>\nSing Sing April 6th 4pm Greg Kwedar 
 United States of America | 2023 | 105m | English Based on the real-life ar
 ts rehabilitation programme founded at Sing Sing Correctional Facility\, G
 reg Kwedar’s new film follows a troupe of incarcerated actors who work o
 n a play as part of a theatre workshop at the prison. Every six months\, t
 he men gather in a circle of chairs\, often looking to Divine G (Colman Do
 mingo) to help decide their next play. Domingo gives one of the most memor
 able and affecting performances of his career\, bolstered by a cast made u
 p almost entirely of formerly incarcerated actors and alumni of the Rehabi
 litation Through the Arts programme. Their participation brings an authent
 icity to the group’s founding principle that human dignity must be a par
 t of the justice system. Directed with a dynamism that matches the charm\,
  mischief\, and compassion of the men themselves\, Sing Sing recognizes th
 e value of a place we can gather in which to discuss\, debate\, and create
 \, wherever that may be. It’s an ode to art as a process\, much the same
  as life\, through which we can strive to better understand ourselves and 
 each other.
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