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BEGIN:VEVENT
UID:20260502T050819Z - 8834@am364a.odoo.com
DTSTART;TZID=America/Vancouver:20241201T190000
DTEND;TZID=America/Vancouver:20241201T210000
CREATED:20260502T050819Z
DESCRIPTION:<a href="https://www.nifss.ca/event/evil-does-not-exist-7-pm-13
 /register">Evil Does Not Exist 7 pm</a>\nEvil Does Not Exist December 1st 
 Aku Wa Sonzai Shinai Ryûsuke Hamaguchi Japan | 2023 | 106m | Japanese Wri
 ter-director Ryusuke Hamaguchi’s much anticipated follow-up to the Oscar
 -winning Drive My Car traces the sensitive dispute between residents of a 
 serene rural village and the city-based talent agency whose proposed plans
  for a luxury camping site threaten their way of life. As with his previou
 s film\, Hamaguchi has once again crafted a modern fable with mythic impli
 cations springing from the mundane\, as rote bureaucratic efforts towards 
 understanding patiently crescendo to a cosmic meditation on our place in t
 he universe. Evil Does Not Exist feels wholly singular in the way it depic
 ts classical themes of nature versus industry and will give audiences much
  to ponder.
DTSTAMP:20260502T050819Z
LOCATION:Vancouver Island Conference Centre\, 80 Commercial Street\, Nanaim
 o BC V9R 5J8
SUMMARY:Evil Does Not Exist 7 pm
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.nifss.ca/event/evil-does-
 not-exist-7-pm-13/register">Evil Does Not Exist 7 pm</a>\nEvil Does Not Ex
 ist December 1st Aku Wa Sonzai Shinai Ryûsuke Hamaguchi Japan | 2023 | 10
 6m | Japanese Writer-director Ryusuke Hamaguchi’s much anticipated follo
 w-up to the Oscar-winning Drive My Car traces the sensitive dispute betwee
 n residents of a serene rural village and the city-based talent agency who
 se proposed plans for a luxury camping site threaten their way of life. As
  with his previous film\, Hamaguchi has once again crafted a modern fable 
 with mythic implications springing from the mundane\, as rote bureaucratic
  efforts towards understanding patiently crescendo to a cosmic meditation 
 on our place in the universe. Evil Does Not Exist feels wholly singular in
  the way it depicts classical themes of nature versus industry and will gi
 ve audiences much to ponder.
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